I first came across Sarah's work a few years ago at Renegade Chicago, an outdoor market featuring artists and designers from across the country. I was on the hunt for a vibrant abstract print when Sarah's booth literally stopped me in my tracks. As a lover of clean lines and bright colors, her work wasn't my typical style, yet for some reason I couldn't look away. It wasn't just the obvious draw of her impeccable craftsmanship or rich texture of her stitches, it was the
feeling
that each piece invoked. There was so much detail, so much life, so much warmth. I wanted to climb inside her roomscapes, pull a beautifully-stitched book off the shelves, and sit nestled in the plant-filled living scenes while sipping cocoa.
After following Sarah on
instagram and getting glimpses inside her home, I quickly saw where her inspiration comes from. Sarah's home is as warm and meticulously curated as the scenes she stitches. The gallery walls feel like collections of memories pieced together; I can hear the plants gently rustling from an open window; the warm colors create a sense of calm and peace.
As we prepare for
House Plants, Sarah's March 9th solo-exhibition in our Cincinnati space, I'm excited to get an even larger look inside her home and studio.
Below, Sarah shares her space.
Enjoy!
India
SARAH K. BENNING
| TEXTILE ARTIST | BALTIMORE, MD
"My home decor style and preferences have been influenced by the imaginary interiors I spent years stitching, and my real physical space, in turn, influences current and future works. I create art that is inspired by Home, both in actual depictions of domestic spaces and objects, and in the concepts of safety and comfort. I want to create work that people want to live with. Work that brings a dose of joy each time it’s looked at. I want to infuse my own home and studio with these feelings too."
"I believe in layering a space over time. Acquiring things on an as-needed basis and with care and intention, giving a lot of emphasis and preference to secondhand goods, things made by hand, and shopping small. This applies to the studio as well. I purchase a lot of my fabric and fibers secondhand, and prefer to package orders in re-purposed and re-used materials."
"I place a lot of significance on objects, not I think (or at least I hope) in a purely materialistic, over-consuming, brand-oriented kind of way, but in the sense that the objects around me become reliquaries for my memories and experiences. They are imbued with the power of the people in my life and the places I have been. I can give you each of those stories if you ever come over and ask."
My home decor style and preferences have been influenced by the imaginary interiors I spent years stitching and my real physical space in turn influences current and future works. I create art that is inspired by Home, both in actual depictions of domestic spaces and objects and in the concepts of safety and comfort. I want to create work that people want to live with. Work that brings a dose of joy each time it’s looked at. I want to infuse my own home and studio with these feelings too.
"As I was preparing these images and my thoughts, I reflected back on all my past ‘studios.’ I counted, and I have worked from 10 different spaces in the past 15 years. With the exception of when I was a student, I have always worked from home. Sometimes, it’s been on the kitchen table, or in one apartment I had a tray piled with work and I would move it between the sofa or bed to get things done. I feel very fortunate and happy with my current space and hope we are here for a long time. "
"I like to see as much as I can all at once. So I keep works in progress taped and pinned to the wall behind my work tables. As pieces are finished, I move them to the wall beside the day bed. This ritual of graduating a piece from the ‘work-in-progress wall’ over to the ‘finished wall’ has become such an important feature of the space. It helps me know where I am in the building of a collection and the progress motivates me to keep it moving."
"In the studio, I obviously need a lot of practical tools of the trade—fabrics, fibers, needles, scissors, paints, and brushes. I have accumulated pieces of furniture over the years that provide me enough surface space to work—lifting up one of my tables on risers was a real game changer for my back!—a comfortable place to settle in and stitch, and ample enough storage for all of my supplies."
"I love to organize things by color. I also color block my books, stash of fabric, and balls of yarn. I used to also keep all of my embroidery floss in color-group bins, but our last move disrupted that system when it was all packed together in vacuum seal bags. I just have not worked myself up to sorting that out again…and realistically, I never will."
"Color plays a huge role in the work that I create. In my House Plants body of work, I have been exploring complementary color combinations that disrupt the viewer's expectations of leafy plants and walk the line between visual harmony and tension."
"I love living with and working surrounded by plants and art. The world is so often a heavy and hard place. My home and studio are a sanctuary. I take pleasure in caring for my house plants and will be preparing to move the bulk of them outside soon as the season shifts."
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